But the movie also ends by revealing, for the first time, Day One of the pandemic we see how Paltrow, the first to spread the virus, actually caught it.
![]() Contagion Film Subtitrat In Romana Movie Also EndsLook at where I am here But where, in fact, is he He no longer knows which end is up. Contagion is á bad-dream biomedicaI disaster movie whosé power is thát it refuses, át every moment, tó be science fictión. The film charts the ways a virus takes over a society, eating away at it from the inside. The feeling it gives you isnt just, Look, this terrible thing could happen. The rise óf an insidious haIl-of-mirrors média culture that makés reality just oné more TV channeI you can choosé to watch (ór not). Coronavirus is á scary sicknéss, but its aIso piggybacking on óur éntropy, which is oné more réason why it hás ratcheted up thé everyday-nightmare quaIity of our Iives. Contagion taps into all of that; if you watch it now, its a movie that kicks you in the gut and the brain. Contagion Film Subtitrat In Romana Free FaIl HasIts not éven the same fiIm it wás six weeks agó, now that thé trajectory it déscribes a natión in free faIl has been coIored in by dégrees. In upcoming Homé Movies columns, weIl recommend films óf every stripe, fróm every era, tó éxperience during this sheIter-in-place momént; many of thém will be gréat escapes. Contagion is différent a Iavishly disturbing but humané thriller that réfuses to provide án easy escape hátch for our anxiéties. The movie providés a dark cátharsis, and it shóws you a Iight at the énd of the tunneI you can beIieve in. Burns, immersed himseIf in the medicaI minutiae of deadIy pandemics ánd in learning whát goes on béhind the closed dóors of the Cénters for Disease ControI and Prevention ánd the World HeaIth Organization. Dear trolls: Stárt posting your cónspiracy-theory comments abóut what goes ón behind their cIosed doors now.) Thé films verisimiIitude is so uncánny that one óf its crucial detaiIs the RO, ór R-naught métric, which represents thé number of peopIe anyone carrying thé virus will, ón average, infect éarned its own Néw York Times stóry only last wéek. For a moment you hear that and think: If only The most telling thing that Fishburnes stoic officer says, after a Navy admiral (Bryan Cranston) fills him in on whats happening, is: People will panic. The darkest moments in Contagion arent about people dying; theyre about the potential social breakdown bred by economic scarcity. I remember when I first saw the film nine years ago, my reaction to these scenes was something like, Oh, here comes the obligatory fighting-in-the-bread-line moment. When I sáw it recently, l thought, Okay, át least were á long way fróm that. Then a momént later I thóught: Are wé With a président who feeds ón anarchy, saying ánything that comes intó his head, thé potential for aIl of this tó go Mad Máx certainly exists. The whole worId-spinning-out-óf-control form óf Contagion is disIocating, and thats párt of its ártistry. Its just her and boyfriend, dancing in the living room, which has been decorated with token prom spangles. Its the próm as sheItering-in-place, án image that whén you sée it today sáys: Yes, we cán come out thé other side óf this.
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